Wednesday, April 26, 2017
Not Exactly Cognitive Dissonance
But it feels very strange to jump between copyediting a biography of Daniel Berrigan and indexing a play-by-play of the activity in al-Anbar province, Iraq, circa 2006.
Friday, April 7, 2017
Reviewing Your Own Work Months Later
I've been proofreading, except for three years in college, for 43 years now. I'm not chatty, I don't edit, I mark it up as judiciously and quickly as I can and move on.
Tonight I am checking the changes on some 2-page corporate spreads that I first proofed some months back. One of the spreads has the word workplac.
Did I write, "insert e," or whatever my tedium was that day?
Nah, I went for "I'd like to buy a vowel."
If you get that reference, let me know. If you don't, let me know. No InnerWebz sleuthing allowed.
Tonight I am checking the changes on some 2-page corporate spreads that I first proofed some months back. One of the spreads has the word workplac.
Did I write, "insert e," or whatever my tedium was that day?
Nah, I went for "I'd like to buy a vowel."
"Strange figures, weird figures, Steel 186, Anaconda 74, American
Cane 138 . . ."
If you get that reference, let me know. If you don't, let me know. No InnerWebz sleuthing allowed.
Sunday, April 2, 2017
Saturday, April 1, 2017
Word of the Day
presenteeism = decreased productivity while at work.
Fill in your own memories at the comments section. The phrase "while at work" seems to indicate under the umbrella of paid W-2-type employment (aka "sap with a day job," which is an increasingly attractive status for me), not just slacking off while a freelancer. If that were the case, one could chalk up this entire blog as a testament to presenteeism.
Fill in your own memories at the comments section. The phrase "while at work" seems to indicate under the umbrella of paid W-2-type employment (aka "sap with a day job," which is an increasingly attractive status for me), not just slacking off while a freelancer. If that were the case, one could chalk up this entire blog as a testament to presenteeism.
Thursday, March 30, 2017
Wednesday, March 29, 2017
Tuesday, March 28, 2017
Happy Birthday to Me
Well, I turn 57 years old today, and given the physical events of the last few days, I think my best bet for not waking up dead in the morning is to stay up all night reading an easy book on a difficult subject.
"Why is this night different from all other nights?" It's somewhere near Passover, right?
(Looks like even the rats' nest is hedging its bets. Zuckerberg hasn't posted greetings on my timeline yet. Maybe he still thinks I'm dead from some Facebook glitch last year.)
I recall an interview with Annie Liebovitz (no relation, that I know of [Land was changed from Liebovitz back in the '40s]) in which the photographer gave one-word answers to every question. My favorite:
"What do you like least about your family?"
"Passover."
Many of my fellow tribespeople can likely relate.
I remember Passover every year on the 23rd floor of my maternal grandparents' apartment building on Ocean Parkway in Brooklyn -- greatest view ever, overlooking the lights of every neighborhood in Brooklyn with the Manhattan skyline as a backdrop (although the view from the other side of the building was the entrance to New York harbor; not too shabby either). You'd get out of the elevator, and the odors of Jewfood lured you down the hallway.
We'd begin the seder with my 4-foot-11 great-grandfather chanting and davening in the old style. Family would pay attention for about 10 minutes. Then the kids got involved hiding the matzoh and asking the Four Questions, and my two great aunts would start in on the bickering. They despised each other: my grandfather's spinster sister and her other brother's wife. About the latter came one of the great putdowns I've heard and remember to this day: "Your aunt was blind as a bat, but she could spot a flaw in a diamond a mile away." About the former, she had an opinion on everything, offered loudly and with a voice that the word "raspy" doesn't begin to cover. And my poor little Grandpa Isaac, trying his best to maintain decorum.
Passover was hell. Not exactly a culinarily enticing holiday, either. All I wanted was a hunk of pizza, or to go to Nathan's -- about a mile walk.
Sooner or later, this blog might return to the editorial world. Maybe. In the meantime, I'm pretty darn certain this was the building:
And if you've ever seen the bizarre and horrific Requiem for a Dream, I'm also pretty certain that some of the street scenes were filmed on or very near this block -- although much of this part of Brooklyn was, or is, pretty interchangeable with whatever's on the next street.
Good times? Hell, not really. Although, speaking of childhood, I came to a strange epiphany last night that relates to a much earlier part of my life: my next Basset hound will be named Rosebud.
I mean . . . just in case I do indeed wake up dead and anyone tries to make any sense of . . . anything.
"Why is this night different from all other nights?" It's somewhere near Passover, right?
(Looks like even the rats' nest is hedging its bets. Zuckerberg hasn't posted greetings on my timeline yet. Maybe he still thinks I'm dead from some Facebook glitch last year.)
I recall an interview with Annie Liebovitz (no relation, that I know of [Land was changed from Liebovitz back in the '40s]) in which the photographer gave one-word answers to every question. My favorite:
"What do you like least about your family?"
"Passover."
Many of my fellow tribespeople can likely relate.
I remember Passover every year on the 23rd floor of my maternal grandparents' apartment building on Ocean Parkway in Brooklyn -- greatest view ever, overlooking the lights of every neighborhood in Brooklyn with the Manhattan skyline as a backdrop (although the view from the other side of the building was the entrance to New York harbor; not too shabby either). You'd get out of the elevator, and the odors of Jewfood lured you down the hallway.
We'd begin the seder with my 4-foot-11 great-grandfather chanting and davening in the old style. Family would pay attention for about 10 minutes. Then the kids got involved hiding the matzoh and asking the Four Questions, and my two great aunts would start in on the bickering. They despised each other: my grandfather's spinster sister and her other brother's wife. About the latter came one of the great putdowns I've heard and remember to this day: "Your aunt was blind as a bat, but she could spot a flaw in a diamond a mile away." About the former, she had an opinion on everything, offered loudly and with a voice that the word "raspy" doesn't begin to cover. And my poor little Grandpa Isaac, trying his best to maintain decorum.
Passover was hell. Not exactly a culinarily enticing holiday, either. All I wanted was a hunk of pizza, or to go to Nathan's -- about a mile walk.
Sooner or later, this blog might return to the editorial world. Maybe. In the meantime, I'm pretty darn certain this was the building:
And if you've ever seen the bizarre and horrific Requiem for a Dream, I'm also pretty certain that some of the street scenes were filmed on or very near this block -- although much of this part of Brooklyn was, or is, pretty interchangeable with whatever's on the next street.
Good times? Hell, not really. Although, speaking of childhood, I came to a strange epiphany last night that relates to a much earlier part of my life: my next Basset hound will be named Rosebud.
I mean . . . just in case I do indeed wake up dead and anyone tries to make any sense of . . . anything.
Labels:
aging,
life in these united states,
proofreading,
troubles
Thursday, March 23, 2017
There's Always Hope
"Subjectivity, if it has any real existence at all, is destined to be completely obliterated when the cosmos returns physically to the eternal sleep of original mindlessness" (emphasis added). The author doesn't agree with the statement, and I'm taking it way out of context . . . but on some level, it's got some real appeal.
The Day's Still Young, Though
Typo of the day:
"Like many college campuses, mine often hosted artistic showcases or open mic nights, but they were mostly geared toward aspirating acoustic songwriters. . . ."
"Like many college campuses, mine often hosted artistic showcases or open mic nights, but they were mostly geared toward aspirating acoustic songwriters. . . ."
Wednesday, March 22, 2017
Doubling Down on the Lattice
I'm working on a book -- without giving away too much -- about student poetry, and regular visitors to this space are well aware of my feelings about most verse, even that written by adults. Frankly, I'm not a fan, once you leave the canon (Western or Eastern). Sorry to say it, but there it is. I'm convinced that much of the poetry that appears in the New Yorker, for example, would never receive an airing if not for the contributor's name.
I also work not infrequently (a construction, I've come to learn, that baffles nonnative English speakers) at a local 24-hour bakery that must have Pandora's Great American Songbook on repeat, because I hear the same music every two hours, including what seems like thrice-hourly versions of "Mack the Knife." The bakery also presents serious distractions that earplugs can't cancel out, such as coeds from the local universities. One is about eight feet from me right now, blissfully unaware of the letch typing near her.
But down the row of tables I see another student agonizing over a laptop. As I just went to replenish my coffee, I noticed one of the books he is working from: The Complete Idiot's Guide to Writing Poetry. I can't quickly formulate a witty response to that setup, but trust me, it's not for lack of material.
Ah, well. Back to the coed -- uh, I mean, work.
I also work not infrequently (a construction, I've come to learn, that baffles nonnative English speakers) at a local 24-hour bakery that must have Pandora's Great American Songbook on repeat, because I hear the same music every two hours, including what seems like thrice-hourly versions of "Mack the Knife." The bakery also presents serious distractions that earplugs can't cancel out, such as coeds from the local universities. One is about eight feet from me right now, blissfully unaware of the letch typing near her.
But down the row of tables I see another student agonizing over a laptop. As I just went to replenish my coffee, I noticed one of the books he is working from: The Complete Idiot's Guide to Writing Poetry. I can't quickly formulate a witty response to that setup, but trust me, it's not for lack of material.
Ah, well. Back to the coed -- uh, I mean, work.
Labels:
copyediting,
haiku,
lattice,
music,
productivity,
word choice
Tuesday, March 21, 2017
Thanks, Merriam-Webster's
Main Entry:hip*hop
Pronunciation:*hip-*h*p
Function:noun
Etymology:perhaps from 4 hip + 1 hop
Date:1983
Pronunciation:*hip-*h*p
Function:noun
Etymology:perhaps from 4 hip + 1 hop
Date:1983
Thursday, March 16, 2017
Saturday, March 11, 2017
Indexing Thought
Sure is nice when an author decides to bring up new topics and new research in the last 10 pages of the book. At least I know it's not going to go on forever.
Monday, March 6, 2017
Post-Roadtrip Report
As a follow-up to the previous post, I threw deadlines to the breeze and made a hasty and wonderful trip to Chicago to see the Necks on Thursday evening with my son. An excellent weekend all around with fine food and entertainment, quality time with my 27-year-old (that's just so hard to believe), and some too-rare time with one of this blog's dedicated readers-- always a joy.
Actually, the last time I addressed my readership, I received a nice email from another follower -- whose own first issue shares a birthday with my own first issue, referenced above. So it all ties together.
+++
I am working on a manuscript in which the author has misspelled -- more precisely, mis-oddly capitalized -- his own name.
Not often (I mean, I don't think about it that much), but I am occasionally grateful for having a name as simple as I do, although in the course of a lifetime, people have mangled it in a variety of ways. My favorite was when this son and grandson of automobile dealers was transformed into a v-hikl, which is what they call anything you drive here in Bristol.
My wife and I last November were boarding the ferry across the Gibraltar Strait from Spain to Tangier, Morocco. Boarding passes were printed out last name, first name. Remember from seventh-grade Spanish class that v is pronounced closer to b:
LAND ROVER
Actually, the last time I addressed my readership, I received a nice email from another follower -- whose own first issue shares a birthday with my own first issue, referenced above. So it all ties together.
+++
I am working on a manuscript in which the author has misspelled -- more precisely, mis-oddly capitalized -- his own name.
Not often (I mean, I don't think about it that much), but I am occasionally grateful for having a name as simple as I do, although in the course of a lifetime, people have mangled it in a variety of ways. My favorite was when this son and grandson of automobile dealers was transformed into a v-hikl, which is what they call anything you drive here in Bristol.
My wife and I last November were boarding the ferry across the Gibraltar Strait from Spain to Tangier, Morocco. Boarding passes were printed out last name, first name. Remember from seventh-grade Spanish class that v is pronounced closer to b:
LAND ROVER
Tuesday, February 28, 2017
The Gift That Keeps on Giving
In this case, my elder issue. One nice thing about raising kids with a diverse musical palate (pallet? pallette?) is that they have enough time to keep you apprised of the really good stuff you miss.
Oh. My. God. This is what's happening in my head:
The Necks 30th Anniversary Concert
My son's name is Mitchell Land. If you're in Chicago, look him up and see if he's playing anywhere, either by himself or as (with) Joey Mitchell, whom (or which) you can find on the rats' nest (Facebook).
Oh. My. God. This is what's happening in my head:
The Necks 30th Anniversary Concert
My son's name is Mitchell Land. If you're in Chicago, look him up and see if he's playing anywhere, either by himself or as (with) Joey Mitchell, whom (or which) you can find on the rats' nest (Facebook).
Monday, February 27, 2017
Two Questions
1. What awful dictionary did Microsoft Word base its spell check on that it doesn't recognize "diaspora"?
2. If you're just finding this blog and you arrived here via Facebook, please let me know how. You can leave a comment or email me.
Signed,
The Proprietor
2. If you're just finding this blog and you arrived here via Facebook, please let me know how. You can leave a comment or email me.
Signed,
The Proprietor
Sunday, February 26, 2017
On Classical Music
From the current project. Actually pretty interesting, although getting a little repetitive around page 350.
Goodman’s famous assertion that one wrong note or dynamic disqualifies a
performance from representing the work, but that a vast latitude in
areas not specified by the score is permissible, is a purely
philosophical exercise of no interest or importance in the musical
world. However, Urmson takes a more practical if also philosophically
stern line in suggesting that performers have an ethical obligation to
proffer the audience something as true as possible to what they believe
is (e.g.) Handel’s Messiah if that is what is promised on the
programme.
Thursday, February 23, 2017
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